Anyway, as I working on this sketch, it came to me that I could use it to illustrate a point about artistic styles and the need to sometimes change a style midway through a project.
This and other sketches at http://sketches.inkpuddle.com |
I feel like I did a better job here. |
I started off this sketch as a representational piece. Like I have done with other sketches, I wanted to capture the likeness of the object. I have done this with more success elsewhere. With my sketch of Toledo (Roman knight of sorts), I tried to draw what I saw, which is to say, the statue of this knight. And I think I did a pretty good job. It is incomplete and I get a little stylistic with the lines, but overall, I think it looks like the statue looks like in real life.
When I started with the mug, I knew I was setting the standard high, because for me, drawing cylinder shapes (multiple rings or circles), getting their curves and proportions right, is very difficult. Not for everybody, mind you, and I am sure there are tricks to doing it better, but I find capturing the curves and shadows of things like glassware to be very difficult.
So, as I continued drawing the sketch, and being disappointed with it, I decided to take the approach in a new direction. I decided I was going to be more stylistic with my lines, mimicking in a way the lines of van Gogh. If I couldn't get the proportions and curves right, I would flood the piece with lines and curves, and be a bit more abstract, although abstract is not the right word. Let's stick with "stylistic," because I shifted the focus of the piece from accurately representing the actual object in real life to creating a stylized beer mug object, with its own kind of presence. "This is not a mug." I added more and more lines, added yellows and light oranges to fill in the blank space. In some previous sketches in this brown paper sketchbook (it's actually a Paperchase brand photo album with a heavy kind of craft paper), I left a lot of empty space. Here I tried to fill as much of it as possible, even if it was with light yellows. And then I added blocky, chunky yellow strokes as a kind of background / false horizon for the sketch. Again, this was done as a kind of way of reinforcing that this was no longer a representational piece.
Clearly, this change of direction in style and purpose arose out of a failure of sorts. I could not properly fix the curves and proportions to my satisfaction for it to be a well-done representational / only slightly stylized piece, so I went all the stylized. And I am much more satisfied with its completion. Cheating? Taking the easy way out? I don't think so, because I still worked on it to the best of my ability and to the point where I thought it was completed.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.